Artist Statement

Ten thousand years they say that we the Tlingit people have lived on this land: surviving, evolving, adapting and prospering, honed and refined by drastic natural changes, migrations, and acts of cruelty. Generated from this has been a way of thinking, living and existing in this world - a lifestyle of respect, balance, and beauty, from which manifested Tlingit Art, art that resides in collections of major art institutions throughout the world. A disruption came, interrupting this Tlingit thought with some of the worst atrocities and genocides recorded. Despite all of that, it continues today in my hands, and in my mind; a continuum of sorts - a bridge to what lies ahead for the Tlingit, coming from an unfathomable understanding of humanity. I hope to share this beautiful way of life and thought visually, capturing all the subtle details that have allowed the Tlingit to prosper since time immemorial. The evolution can be seen in ‘Ravens resistance to the Linear’, by challenging viewers to see beyond what has traditionally been done, while more importantly, not abandoning the iconic foundation that has been laid. Or perhaps the ancient knowledge can be translated to different formats, much like what has been done with the ‘Ravens Tail’ cuffs. Somehow, despite all setbacks, hardships, and resistance Tlingit art continues to ascend, much like ‘Eagle Ascent’ does, manifesting itself in this carved panel, which brings the tensions involved in working to ascend, together with attentive correspondence with the rich history and practice of formal play. With this wonderful genesis of work, I continue to explore Tlingit life, rooted in tradition while pioneering for the generations to come.

About

Robert K. Mills is a Tlingit artist of the Tsaagweidi clan from Kake, Alaska. Working in metal, paint, and wood, his art is deeply rooted in the traditions of his ancestors while pioneering new expressions for future generations. Shaped by the land and waters of Lingit Aani, his work speaks to the complexities of colliding worldviews, exploring the resilience and depth of Tlingit life.

For over a decade, Mills has traveled the Northwest Coast, learning from master Indigenous artists from Haida Gwaii to Ketchikan and Sitka, while independently funding his artistic journey through years in commercial fisheries. His dedication has resulted in works acquired by institutions, museums, and private collections across the U.S. and Canada. His sculptures, jewelry, and paintings have received recognition for their craftsmanship and cultural significance, earning awards that highlight his contributions to contemporary Indigenous art.

Whether shaping a sculpture that carries spiritual energy, carving a totem pole that testifies to historical truths, or painting a mask that captures the fierce resilience of the natural world, Mills approaches each piece with a deep sense of purpose. His art continues to explore Tlingit life, capturing the subtle details that have allowed his people to thrive since time immemorial. Through his work, he hopes to share the beauty of Tlingit thought and tradition, offering a visual language that connects past, present, and future.